Sandra Alvaro. 2022. “Art, Eco-aesthetics and Cosmopolitics” at Rasa Smte, Jeans Hauser, Kristin Bergaust, Raitis Smits (Eds.) Green Revisited. Encountering Emerging Naturecultures in Art and Research. Acoustic Space, volume 19/ Renewable Futures, Issue 4. RIXC. pp: 217-236 Identifiers: ISSN: 1407-2858 ISBN: 978-9934-9119-0-3 Abstract Isabelle Stengers describes our time as catastrophic: the result of convergent crises …
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Alvaro, S. (2022). Practiced, Conceived and Lived space in the Postdigital City. Estoa. Revista De La Facultad De Arquitectura Y Urbanismo De La Universidad De Cuenca, 11(22). Recuperado a partir de https://publicaciones.ucuenca.edu.ec/ojs/index.php/estoa/article/view/3950 Abstract: The pandemic has highlighted the fast transmission of needs, goods andideas that sustain the functionality of our globalised, networked world.At the same …
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A topological space for design, participation and production Álvaro, Sandra (2019), “Atopological space for design, participation and productio” at The Jornal of Peer Production, Issue #13 open (April 2019) ‘Space of transformation’ is a concept borrowed from Serres’ communication theory and here redefined after the evolution of the post-digital milieu and the materialistic critique of …
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Artistic production and embodied information. Tracking Spaces of Transformation by Sandra Álvaro Presented at the Open Fields Conference 2017 Abstract: Space of Transformation is a concept borrowed from the Communication theory by Serres and here redefined after the evolution of the postdigital milieu and the materialistic critique of the same. Things considered as Spaces of …
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La esfera pública en la era de la hipermediación algorítmica: noticias falsas, desinformación y la mercantilización de la conducta Sandra Alvaro Sanchez DOI: 10.31009/hipertext.net.2018.i17.07 Resumen La web y especialmente las redes sociales han involucionado en poco tiempo. Consideradas, en sus inicios, como el lugar del florecimiento de una nueva esfera pública, un espacio abierto y …
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Algorithmic Culture by Sandra Álvaro (2013 – 2017) Compilation of critical texts addressing the spread of the pervasiveness of data-processing and the devices, disciplines, and societal challenges related to this event. The texts by Sandra Álvaro Sanchez have been originally published at the Blog of the CCCBLab DO – 10.13140/RG.2.2.23353.06248 Available on-line
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Computer Art Congress 5 – Digital Art: Archiving and Questioning Immateriality – 2016, Paris October 26-28, 2016. MSH Paris Nord “Art and Data: the aesthetic emergence of knowledge” Abstract The Aesthetic Rendering of Knowledge refers to two linked processes: the mediation of images in the processes of inscription of science and the use that …
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Sandra Álvaro Sanchez: “Disruptive Strategies in The Postdigital City”. Proceedings of the 21st International Symposium on Electronic Art. pp: 133-136, ISSN: 2451-8611 ISBN: 978-1-910172-00-1 https://www.isea-archives.org/docs/2015/proceedings/ISEA2015_proceedings.pdf Abstract: The development of the sociotechnical apparatus shaping our Post-Digital space and culture ran simultaneously with the conception of a relational and processual reality and the development of computation and …
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Investigación llevada a cabo en China, Shanghai entre 2014-2015 Con más de 564 millones de usuarios, China cuenta con la mayor red de ciudadanos conectados del mundo. Internet se implantó en China en el año 1994, encauzando con el proceso de reforma iniciado después de la Revolución Cultural. La economía de mercado socialista consiste en …
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Álvaro, S. (2013), ‘Complexity, multi-perspectivism and tracking: A brief history of the meaning of image from the Postmedia to the Postdigital ages’, Technoetic Arts: A Journal of Speculative Research 11: 3, pp. 199–207, https://doi.org/10.1386/tear.11.3.199_1 Abstract: The meaning and function of the image has been evolving over all time. This has been separated from mimesis and …
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