La esfera pública en la era de la hipermediación algorítmica: noticias falsas, desinformación y la mercantilización de la conducta Sandra Alvaro Sanchez DOI: 10.31009/hipertext.net.2018.i17.07 Resumen La web y especialmente las redes sociales han involucionado en poco tiempo. Consideradas, en sus inicios, como el lugar del florecimiento de una nueva esfera pública, un espacio abierto y …
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Algorithmic Culture by Sandra Álvaro (2013 – 2017) Compilation of critical texts addressing the spread of the pervasiveness of data-processing and the devices, disciplines, and societal challenges related to this event. The texts by Sandra Álvaro Sanchez have been originally published at the Blog of the CCCBLab DO – 10.13140/RG.2.2.23353.06248 Available on-line
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Computer Art Congress 5 – Digital Art: Archiving and Questioning Immateriality – 2016, Paris October 26-28, 2016. MSH Paris Nord “Art and Data: the aesthetic emergence of knowledge” Abstract The Aesthetic Rendering of Knowledge refers to two linked processes: the mediation of images in the processes of inscription of science and the use that …
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Sandra Álvaro Sanchez: “Disruptive Strategies in The Postdigital City”. Proceedings of the 21st International Symposium on Electronic Art. pp: 133-136, ISSN: 2451-8611 ISBN: 978-1-910172-00-1 https://www.isea-archives.org/docs/2015/proceedings/ISEA2015_proceedings.pdf Abstract: The development of the sociotechnical apparatus shaping our Post-Digital space and culture ran simultaneously with the conception of a relational and processual reality and the development of computation and …
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Investigación llevada a cabo en China, Shanghai entre 2014-2015 Con más de 564 millones de usuarios, China cuenta con la mayor red de ciudadanos conectados del mundo. Internet se implantó en China en el año 1994, encauzando con el proceso de reforma iniciado después de la Revolución Cultural. La economía de mercado socialista consiste en …
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Álvaro, S. (2013), ‘Complexity, multi-perspectivism and tracking: A brief history of the meaning of image from the Postmedia to the Postdigital ages’, Technoetic Arts: A Journal of Speculative Research 11: 3, pp. 199–207, https://doi.org/10.1386/tear.11.3.199_1 Abstract: The meaning and function of the image has been evolving over all time. This has been separated from mimesis and …
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ÁLVARO, Sandra (2013). “Topologías del arte en la era de la información”. En: Pau Alsina (coord.). “Historia(s) del arte de los medios” [nodo en línea]. Artnodes. Nº13, pág. 96-102. UOC http://dx.doi.org/10.7238/a.v0i13.2016 Abstract: Developments in recent years in electronic art and the new media can be characterized in many ways, among them with discourses based on …
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Sandra Álvaro (2013): Postdigital Art: building appropriable information apparatuses at re-new 2013 Conference proceedings, Framing Media — p. 242-247. published by re-new digital arts forum ISSN 2245-7801 Abstract: The interface is leaving the desktop, making it possible to access information everywhere and in everything, through the developing systems of ambient informatics and ubiquitous computing. This …
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Sandra Álvaro (2013): El arte nómada. La interacción más allá de la pantalla, en: DEFORMA cultura on line, 6/5/2013 Abstract: El arte nómada surca el mundo complejo y en movimiento de la era de la información para activar afectividades y proponer experimentos, donde puedan surgir nuevos eventos; nuevos sentidos que puedan designar nuevos referentes y …
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“Art and Locative Media: interaction on the hybrid space of the city.” By Sandra Alvaro Published on: DISTURBIS nº9, primavera 2011, ISSN: 1887-2786 Abstract: The term Locative Media was first proposed by Karlis Kalnins in 2001 to designate an artistic test category for grouping the products and process generated in the Locative Media …
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