{"id":472,"date":"2014-02-06T20:59:36","date_gmt":"2014-02-06T16:59:36","guid":{"rendered":"http:\/\/enlaciutat.es\/wordpress\/?p=472"},"modified":"2023-07-12T22:29:34","modified_gmt":"2023-07-12T18:29:34","slug":"new-article-topologies-of-art-in-the-information-age-in-artnodes","status":"publish","type":"post","link":"https:\/\/enlaciutat.es\/wordpress\/?p=472","title":{"rendered":"New article: “Topologies of Art in the Information Age” in Artnodes"},"content":{"rendered":"

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\u00c1LVARO, Sandra (2013). \u201cTopolog\u00edas del arte en la era de la informaci\u00f3n\u201d. En: Pau Alsina (coord.). \u201cHistoria(s) del arte de los medios\u201d [nodo en l\u00ednea]. Artnodes. N\u00ba13, p\u00e1g. 96-102. UOC<\/span><\/strong><\/p>\n

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http:\/\/dx.doi.org\/10.7238\/a.v0i13.2016<\/span><\/a><\/span><\/p>\n

Abstract: <\/span><\/em><\/strong><\/p>\n

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Developments in recent years in electronic art and the new media can be characterized in many ways, among them with discourses based on their development in parallel with the technologies they use or based on the development of specific features such as interactivity, communication, synaesthesia, and their relationship with the virtual. This article proposes a hybrid perspective, along the lines of the discourse of Edward Shanken, with new media art and contemporary art \u2013 especially as related to vanguard movements such as kinetic art, conceptual art, performance, the Fluxus movement, Dadaism, Situationism, and experimental film \u2013 being more simultaneous than continuous. Media art and contemporary art both develop from a topological thought \u2013 as expressed by authors like Bergson, Deleuze, Serres, Agamben and Latour \u2013 that is pushed into movement. Objects and stable boundaries disappear and we have, rather, a complex world, with relationships, intensities and connections as defining elements and with an ability to simultaneously generate new, mutable territories. In this setting, life feeds on information exchange and art leaves behind the stable place it formerly inhabited to venture into the creation of new contexts and forms of interaction and the production of emergent meanings, and taking account of the kinetic and immersive spaces of multimedia installations, urban space and virtual and ubiquitous web space, the coexistence of urban and web space in augmented reality, and, finally, the ecology of a connected world where technology, life, culture, nature and the local \u2013 with its global implications \u2013 are all brought together. <\/span><\/em><\/p>\n

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Keywords:<\/span><\/em><\/strong><\/p>\n

art, new media, topology, interactivity<\/span><\/em><\/p>\n

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\u00c1LVARO, Sandra (2013). \u201cTopolog\u00edas del arte en la era de la informaci\u00f3n\u201d. En: Pau Alsina (coord.). \u201cHistoria(s) del arte de los medios\u201d [nodo en l\u00ednea]. Artnodes. N\u00ba13, p\u00e1g. 96-102. UOC http:\/\/dx.doi.org\/10.7238\/a.v0i13.2016 Abstract: Developments in recent years in electronic art and the new media can be characterized in many ways, among them with discourses based on … <\/p>\n

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