{"id":538,"date":"2015-06-28T14:29:44","date_gmt":"2015-06-28T10:29:44","guid":{"rendered":"http:\/\/enlaciutat.es\/wordpress\/?page_id=538"},"modified":"2026-02-20T23:07:01","modified_gmt":"2026-02-20T19:07:01","slug":"bios","status":"publish","type":"page","link":"https:\/\/enlaciutat.es\/wordpress\/?page_id=538","title":{"rendered":"Sandra Alvaro &#8211; Bios"},"content":{"rendered":"\n<a id=\"cy-effective-orcid-url\" class=\"underline\" href=\"https:\/\/orcid.org\/0000-0001-5243-9814\" target=\"orcid.widget\" rel=\"me noopener noreferrer\" style=\"vertical-align: top\">\n     <img decoding=\"async\" src=\"https:\/\/orcid.org\/sites\/default\/files\/images\/orcid_16x16.png\" style=\"width: 1em; margin-inline-start: 0.5em\" alt=\"ORCID iD icon\">\n      https:\/\/orcid.org\/0000-0001-5243-9814\n    <\/a>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Sandra \u00c1lvaro<\/strong> is an Adjunct Professor at the Art Department of the Universitat Autonoma de Barcelona (UAB) <\/p>\n\n\n\n<p>Sandra \u00c1lvaro works at the intersection of art, philosophy, and technology. She develops a theory grounded in practice for the mapping of conceptual frameworks which improve our understanding of the current sociotechnical system and its relations with the Anthropocene. Among her research main areas are the aesthetics and politics of computational technologies; the epistemology of data-driven models; collaborative design and the emergence of new communities of practice; the commons and environmental justice; new materialism and posthumanist philosophy.<\/p>\n\n\n\n<p>Sandra \u00c1lvaro holds a Ph.D. in Philosophy from the Universitat Aut\u00f3noma de Barcelona. Her dissertation, <em>\u201cPostdigital City. Aesthetics and Politics in the Space of Embodied Virtuality\u201d<\/em>, was awarded an Excellent and the mention of International Doctorate. It also was included in the Leonardo Labs Abstracts Service. She also holds MA\u2019s in Contemporary Art Theory (UAB) and Philosophy of Culture (UB) and a Diploma in Fine Arts from the Escola Massana in Barcelona.<br>She has been a Research Fellow of the program of Culture Analytics at the Institute for Pure and Applied Mathematics (IPAM) in the University of California Los Angeles (UCLA) and invited artist\/researcher at the Laboratoire Paragraphe\/CITU at the University Paris 8 and the Cultures of Interface Programme at the Kunstuniversit\u00e4t Linz.<\/p>\n\n\n\n<p>She has companioned her theoretical and academic work with artistic production. As an artist, she has explored the encounter between virtual and urban space and has developed projects exhibited in art centres and Festivals such as MOCA (Taipei), MADATAC Festival (Madrid), the Caixa Forum Barcelona and Madrid, Casal Solleric (Palma de Mallorca) or the Museum of Modern Art of Toluca (Mexico)<\/p>\n\n\n\n<p><strong>Research areas:<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>Contemporary Art &amp; Aesthetics, Art and Technology, Media Theory, Digital Culture, Environmental justice, Digital transformation (professional consultant and Digital Business Advisor), the effects of technology in society (software studies, critical media) Urban Space (new cartography and geography, non-representational theory) Epistemology of Computation (visualization and data analysis, simulation, Artificial Intelligence), The Postdigital, New design strategies (archaeology of media, speculative design, critical making), Posthumanism and poststructuralism, Cultural analytics and social media, data ethics and policies.<\/em><\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">Education<\/h3>\n\n\n\n<p>2016_ <strong>PhD. In Philosophy.<\/strong> Philosophy Department,<strong> Universidad Aut\u00f3noma de Barcelona<\/strong> (UAB)<\/p>\n\n\n\n<p> thesis:<em> Postdigital City. Aesthetics and Politics in the Space of Embodied Virtuality<\/em><\/p>\n\n\n\n<p><em> Qualification: Excellent with mention of International Doctorate<\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/www.educacion.gob.es\/teseo\/imprimirFichaConsulta.do?idFicha=440774\">https:\/\/www.educacion.gob.es\/teseo\/imprimirFichaConsulta.do?idFicha=440774<\/a><\/p>\n\n\n\n<p>Included in the<strong> Leonardo Labs Abstracts Service<\/strong>:<br><a href=\"https:\/\/collections.pomona.edu\/labs\/record\/?pdb=3782\">https:\/\/collections.pomona.edu\/labs\/record\/?pdb=3782<\/a><\/p>\n\n\n\n<p>2008_ <strong>MA in Aesthetics and Contemporary Art Theory<\/strong> Universidad Aut\u00f3noma de Barcelona (UAB) and Fundaci\u00f3n Mir\u00f3, Barcelona<\/p>\n\n\n\n<p>2005_ <strong>Degree in Fine Arts<\/strong> Escola Massana, Barcelona<\/p>\n\n\n\n<p>2001_ <strong>MA in Philosophy of Culture and Philosophical Anthropology<\/strong> Universidad de Barcelona (UB)<\/p>\n\n\n\n<p>1999_ <strong>BA in Philosophy<\/strong> Universidad de Barcelona (UB)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Teaching and Research<\/h3>\n\n\n\n<p><strong>2019-2026_<\/strong> <strong>Adjunct professor at the Universitat Autonoma de Barcelona<\/strong> (UAB)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art of the Twentieth Century (BA in Art History)<\/li>\n\n\n\n<li>Art Theory (BA in Art History)<\/li>\n\n\n\n<li>Contemporary Art (BA in Art History). New Materialism and the Historiography of New Media and Computer Art\u201c<\/li>\n\n\n\n<li>Contemporary Art (BA in Audio-visual Communication). Art, new communication formats and the Critics of New Media\u201c<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2025-2026_ Adjunct Professor at Elisava, School of Design and Engineering, Barcelona<\/strong> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Personal Identity (Bachelor in Design and Innovation)<\/li>\n\n\n\n<li>New Trends (Bachelor in Design and Innovation)<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2025_ Member of the Working Group &#8211; WG 6 _ How can AI support the conservation and stewardship of digital media art? &#8211; of the COST ACTION &#8211; CA24129 &#8211; European Media and Born-digital Art Conservation and Knowledge Network (EMBARK)<\/strong> &#8211; <strong>Horizon Europe<\/strong><\/p>\n\n\n\n<p><strong>2021-2024_ Member of the Research Project (dparq) Paisajes y Arquitecturas del error. Contra historia del paisaje en la Europa Latina (1945-2020) \/ USC &#8211; PID2020-112921GB-I00<\/strong> &#8211; <strong>Agencia Estatal de Investigaci\u00f3n \u2013 Ministerio de Ciencia e Innovaci\u00f3n 2021-24<\/strong><\/p>\n\n\n\n<p><strong>2020-2022_ Visiting professor at the<\/strong> <strong>Interface Culture Programme<\/strong> &#8211; Kunts Universit\u00e4t Linz <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mars 2022 &#8211; ERASMUS + <a href=\"https:\/\/www.kunstuni-linz.at\/en\/studies\/degree-programmes\/interface-cultures\/master-programme\/guest-reseacher\" data-type=\"link\" data-id=\"https:\/\/www.kunstuni-linz.at\/en\/studies\/degree-programmes\/interface-cultures\/master-programme\/guest-reseacher\">Workshop: Interactive Art and Posthuman Thought II<\/a><\/li>\n\n\n\n<li>Mars 2020 &#8211; Erasmus + <a href=\"https:\/\/www.ufg.at\/News-detail.2042+M5da5309928b.0.html\">Workshop: Interactive Art and Posthuman Thought<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2020_ Teaching Fellow at the<\/strong> <strong>IXDM (Institute of Experimental Design and Media Cultures)<\/strong> &#8211; University of Applied Sciences and Arts Northwestern Switzerland &#8211; 2020 _ Teaching at the seminar: <strong>Eco-criticality, <em>Alternative Environmentalisms<\/em><\/strong><\/p>\n\n\n\n<p><strong>2018-2020_ Lecturer at the MA: &#8220;Management of Cultural and Creative Industries&#8221; _ Universidad Europea Miguel de Cervantes<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Innovation Strategies for the Cultural and Creative Industries<\/li>\n\n\n\n<li>Human Resources: Team Management and Distributed Leadership in Cultural and Creative Industries<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2016_ Visiting researcher at IPAM<\/strong> (Institute for Pure and Applied Mathematics at the University of UCLA. Taking part in the long program Culture Analytics.<\/p>\n\n\n\n<p><strong>2014-2015 Lecturer at the BA course in Technoetic Arts<\/strong>, join-program: Roy Ascott Studio at DeTao Masters Academy and the Shanghai Institute of Visual Art (SIVA) \u2013 Shanghai (China)<\/p>\n\n\n\n<p><strong>2013-2018<\/strong>_ Freelance writer and collaborator at the <strong>CCCBLab<\/strong><\/p>\n\n\n\n<p>2012_ Coordinator in Spain of the workshop \u201cHypermedia Art\u201d Organizers: UAB, UPF, Laboratorie Paragraphe Paris 8 . Held on the University Paris 8 (16th, March &#8211; Paris)<\/p>\n\n\n\n<p>2011_ Director of the Catmeeting III: First Workshop with Laboratoire Paragraphe (Paris 8 and Cergy Pontoise Universities) \u201cArt num\u00e9rique : Mythe ou r\u00e9alit\u00e9\u201d \/ \u201cDigital<\/p>\n\n\n\n<p><strong>2009_ Invited researcher\/artist at the Laboratoire Paragraphe\/CITU Universit\u00e9 Paris 8<\/strong>, Paris (September 2009 &#8211; January 2010)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Awards &#8211; Fellowships<\/h3>\n\n\n\n<p><strong>Erasmus + program (2020 and 2022)<\/strong> &#8211; visiting professor at the Interface Culture Programme &#8211; Kunts Universit\u00e4t Linz (Austria)<\/p>\n\n\n\n<p><strong>IPAM Fellow<\/strong> (2016- 2019) \u2013 Cultural Analytics Workshop- Institute of Pure and Applied Mathematics \u2013 UCLA (EUA)<\/p>\n\n\n\n<p><strong>Visiting Researcher<\/strong> (2009) at Laboratoire Paragraphe\/ CITU in Paris 8<\/p>\n\n\n\n<p><strong>Grants for young professionals of the Cultural Industry,<\/strong> Ministry of Culture of Spain \u2013 2009.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Publications<\/h3>\n\n\n\n<p>\u00c1lvaro S\u00e1nchez, Sandra (2025). Arte, ciencia y planeamiento urbano: de la utop\u00eda tecnol\u00f3gica moderna a la ciudad m\u00e1s que humana.&nbsp;<em>ARTE Y CIUDAD. Revista De Investigaci\u00f3n<\/em>, (27), 81\u2013116. https:\/\/doi.org\/10.22530\/ayc.2025.27.762<\/p>\n\n\n\n<p>Alvaro, Sandra (2025). Est\u00e9tica Ecol\u00f3gica y la Teor\u00eda Gaia: Arte y Paisajes Posthumanos en Matteo Mancini, Mar\u00eda Teresa Chicote Pompanin, Diana Luc\u00eda G\u00f3mez-Chac\u00f3n (eds.) Natura Potentior Ars, arte, naturaleza y ciencias para una disciplina del siglo XXI. XXIV Congreso Nacional de Historia del Arte, Vol.1 Perspectivas. Madrid: Editorial Doce Calles, UCM. pp: 125-146 ISBN:<em>978-84-9744-518-4<\/em><\/p>\n\n\n\n<p>Alvaro, Sandra (2024). &#8220;Rendre la Terre habitable&#8221;. Terre. Les carnets du paysaje, 44, Actes Sud ISBN: 978-2-330-19095-8, pp: 38-59<\/p>\n\n\n\n<p>L\u00f3pez-Silvestre, F., Alvaro, S., Alonso, G.R. (2024). \u201cReversing Ruins: Artistic Interventions for Recovering from Disaster Capitalism\u201d. In: N\u00fa\u00f1ez-Delgado, A. (eds) Planet Earth: Scientific Proposals to Solve Urgent Issues. Springer, Cham. https:\/\/doi.org\/10.1007\/978-3-031-53208-5_5 Print ISBN978-3-031-53207-8<\/p>\n\n\n\n<p>Alvaro, Sandra (2023). &#8220;Art Development and Conceptual Shifts. From Life, Computers and the Ecosystem Paradigm Towards Posthumanism and Situated Science&#8221; at <em>RE:SOURCE. The 10th International Conference on the Histories of Media Art, Science and Technology. Proceedings<\/em>. pp. 123 &#8211; 129<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra (2022). &#8220;Art, Eco-aesthetics and Cosmopolitics\u201d at Rasa Smite, Jeans Hauser, Kristin Bergaust, Raitis Smits (Eds.) Green Revisited. Encountering Emerging Naturecultures in Art and Research. Acoustic Space, volume 19\/ Renewable Futures, Issue 4. RIXC. pp: 217-236. ISBN: 978-9934-9119-0-3<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra (2022). &#8220;Practised, Conceived and Lived Space in the Postdigital City. <em>Estoa. Revista De La Facultad De Arquitectura Y Urbanismo De La Universidad De Cuenca<\/em>, <em>11<\/em>(22). pp: 47-58 DOI:<a href=\"https:\/\/doi.org\/10.18537\/est.v011.n022.a04\">https:\/\/doi.org\/10.18537\/est.v011.n022.a04<\/a><\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2019). \u201cA topological space for design, participation, and production. Tracking spaces of transformation\u201d Journal of Peer Production, Issue #13 Open &#8211; Peer-reviewed papers<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2019).<em> &#8220;<\/em>Artistic production and embodied information. Tracking Spaces of Transformation&#8221; at Rasa Smite &amp; Raitis Smits (eds.) <a href=\"http:\/\/rixc.org\/en\/acousticspace\/issue\/666\/\"><em>VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments<\/em><\/a>, Acoustic Space Journal, Vol. 17.<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2018). \u201cThe public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behaviour\u201d. At Hipertext.net,&nbsp; <em>El futuro digital de los hechos<\/em>.&nbsp; n. 17, Nov. 2018. DOI: 10.31009\/hipertext.net.2018.i17.07<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra (2016). &#8220;Art and Data: The Aesthetic Emergence of Knowledge&#8221; at Everardo Reyes-Garcia, Pierre Ch\u00e2tel-Innocenti, Khaldoun Zreik (ed.) Archiving and Questioning Immateriality. Proceedings of the 5th Computer Art Congress, Europia Productions, Paris, pp. 108-126<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra (2015). \u201cDisruptive Strategies in The Postdigital City\u201d. Proceedings of the 21st International Symposium on Electronic Art. ISSN: 2451-8611 ISBN: 978-1-910172-00-1<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2014).\u201d<em>Topolog\u00edas del arte en la era de la informaci\u00f3n\/ Topologies of art on the information era<\/em>\u201d. ARTNODES, DOI: http:\/\/doi.dx.org\/10.7238\/issn.1695-5951 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2014).<em> \u201cComplexity, multi-perspectivism, and Tracking: A brief history of the meaning of image from the Postmedia to the Postdigital ages<\/em>\u201d, Technoetic Art Journal, ISSN: 1477965X <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2013).<em> \u201cPostdigital Art: building appropriable information apparatuses\u201d<\/em> at re-new 2013 Conference proceedings, Framing Media \u2014 p. 242-247. ed. re-new digital arts forum. ISSN 2245-7801 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2013).<em> \u201cEl arte n\u00f3mada. La interacci\u00f3n m\u00e1s all\u00e1 de la pantalla \/Nomadic Art. Interaction beyond the screen\u201d<\/em> at DEFORMA cultura on line, 6\/5\/2013. ed. Sendema, Valencia <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. (2011).<em> \u201cArt and Locative Media: interaction on the hybrid space of the city\u201d<\/em> at DISTURBIS n\u00ba9, spring 2011, ISSN: 1887-2786 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra<em>. (2008). \u201cUnder Construction\u201d<\/em>. K. Zreik and E. Reyes Garc\u00eda. (Ed.) Proceedings of the 2nd International Congress: Computer Art Congress [CAC.2]Toluca &amp; Mexico City. March 26th-28th, 2008, ed. Europia Productions. Paris ISBN 978-2-909285-45-6<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Working Papers<\/h4>\n\n\n\n<p>2016_[White paper] D\u2019Orsogna, M., \u00c1lvaro, S., Hunter, B., Oiva, M., Mireilles, I, Bardiot, C., Jofre, A., Manovich, L. : \u201dCollaboration and Translational Data Science for the Study of Culture\u201d at Culture Analytics: White Papers Edited by Timothy R. Tangherlini (UCLA)<\/p>\n\n\n\n<p>2016_[White paper] \u00c1lvaro, S., Bardiot, C., DeSalvo, S., LapinaKratasyuk, E. Oiva, M. Yazdani, M.  \u201cTeaching Culture Analytics: Filling the Gap between Humanities and Social Science Research and Data Science tools: A Pedagogical Study\u201d at Culture Analytics: White Papers Edited by Timothy R. Tangherlini (UCLA)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Knowledge Transference<\/h4>\n\n\n\n<p>\u00c1lvaro, Sandra.<em> \u201cThe Latest Post-Digital Revolution: The Internet of Things, Big Data and Ubiquity\u201d,<\/em> at Blog CCCBLab. Research and Innovation in the Cultural Sphere, #Virtual scenes #Internet Universe, 03-07-3013. <a href=\"http:\/\/lab.cccb.org\/es\/author\/sandra-alvaro\/\">http:\/\/blogs.cccb.org\/lab\/ <\/a><\/p>\n\n\n\n<p>\u00c1lvaro, Sandra.<em> \u201cBig Data and Digital Humanities: From social computing to the challenges of connected culture\u201d<\/em>, at Blog CCCBLab. Research and Innovation in the Cultural Sphere, #Virtual scenes, 23-10-2013 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra.<em> \u201cThe power of algorithms. How software formats the culture\u201d,<\/em> at Blog CCCBLab. Research and Innovation in the Cultural Sphere, # Open Science, 29-01-2014 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra.<em> \u201cIML. A project for a new humanism. Interview with Pierre L\u00e9vy\u201d,<\/em> at Blog CCCBLab, Research and Innovation in the Cultural Sphere, #Internet Universe, 26-03-2014<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. \u201cThe Other Net behind the Big Wall (1&amp;2)\u201d, at Blog CCCBLab, Research and Innovation in the Cultural Sphere, #Internet Universe, 13\/21-01-2015<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. \u201cThe Maker Culture in China\u201d (I, II &amp; III) at Blog CCCBLab, Research and Innovation in the Cultural Sphere, #Internet Universe, 15\/22\/29-04-2015 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra &#8220;Avatars, Cyborgs and Robots: Can Humans Enhance Themselves? (I &amp; II) at Blog CCCBLab, Research and Innovation in the Cultural Sphere, #Science, #Posthumanism, #Artificial Intelligence, 20\/01\/2016<\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. \u201cWelcome to the All-Connected World of IoT\u201d Infographics. Dossier IoT. At Blog CCCBLab, Research and Innovation in the Cultural Sphere, #technology, 11\/11\/2016 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. \u201cFake news: sharing is caring\u201d At Blog CCCBLab, Research and Innovation in the Cultural Sphere, #technology, 7\/3\/2017 <\/p>\n\n\n\n<p>\u00c1lvaro, Sandra. \u201cLiving together smart algorithms\u201d at Blog CCCBLab, Research and Innovation in the Cultural Sphere, #technology 3\/5\/2017 <\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Conferences and Lectures<\/h3>\n\n\n\n<p>2025_<strong>First Workshop on New Media Art Archiving (WNMAA)\u00a0<\/strong> (February 5th to 8th, 2025, at the ZKM | Center for Art and Media Karlsruhe, Germany)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Facilitator of the Supplementary Workshop: AI as an archival tool<\/code><\/pre>\n\n\n\n<p>2024_ X Jornadas Internacionales Arte y Ciudad (17-19 de abril, Madrid, Espa\u00f1a)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Presentaci\u00f3n: Arte, ciencia y planeamiento urbano: de la utop\u00eda tecnol\u00f3gica\nmoderna a la ciudad m\u00e1s que humana<\/code><\/pre>\n\n\n\n<p>2023_ RE:SOURCE 2023. The 10th International Conference on the Histories of Media Art, Science and Technology | MAH Network ( 13 &#8211; 16 September, Venice, Italy)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper: Art Development and Conceptual Shifts_ LIFE, COMPUTERS and the ECOSYSTEM paradigm<\/code><\/pre>\n\n\n\n<p>2023_ Paisajes. Natura Potentior Ars: naturaleza y ciencias para una disciplina del siglo XXI. XXIV Congreso del Comit\u00e9 Espa\u00f1ol de Historia del Arte (CEHA). (12 &#8211; 17 de julio , Madrid)<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<pre class=\"wp-block-code\"><code>Presentaci\u00f3n: \u201cEst\u00e9tica Ecol\u00f3gica y la Teor\u00eda Gaia: Arte y Paisajes Posthumanos\u201dPresentaci\u00f3n: <\/code><\/pre>\n<\/blockquote>\n<\/blockquote>\n\n\n\n<p>2022_Paisajes y Arquitecturas del Error &#8211; Seminario Internacional. Grupo de Investigaci\u00f3n DPARQ (27 &#8211; 30 de Septiembre, Morille, Salamanca)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Presentaci\u00f3n: Sandra \u00c1lvaro y Miguel Serrano Nomadolog\u00eda Bot\u00e1nica del Depaisaje<\/code><\/pre>\n\n\n\n<p>2021_ <strong>PostSensorium &#8211; Open Fields Conference<\/strong>. Organizers RIXC Art Science Festival ( September 23 &#8211; November 12)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code><em>Paper: Aesthetics of Perception, a historical approxim<\/em>ation to inhuman vision and its ecological <em>meaning<\/em><\/code><\/pre>\n\n\n\n<p>2020_ <strong>ECODATA &#8211; Open Fields Conf<\/strong>erence. Organizers RIXC Art Science Festival (October 8-10, Riga, Latvia)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper: Art, E<em>co-aesthetics, and Cosmopolitics<\/em><\/code><\/pre>\n\n\n\n<p>2019_  &#8220;Virtualities and Realities&#8221; &#8211; Openfields Conference 2. Organizers RIXC Art Science Festival (October 19-21, Riga, Latvia)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper: \"Behind the Black Mirror. PostDigital Art unveiling the sociotechnical systems\"<\/code><\/pre>\n\n\n\n<p>2018_ <strong>&#8220;The Design of Networked Objects to the Design as Object, Design as Method: Making Critical Communication Futures\u201d pre-conference at ICA<\/strong> (International Communication Association) 68th Annual Conference 2018 (May 23, Prague)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Long Abstract: \u201cThe Design of networked objects as Spaces of Transformation. From cyber-management to the Ecology of Participation\u201d<\/code><\/pre>\n\n\n\n<p>_<strong>Annual Deleuze Scholarship Conference. # 7 DELEUZE and the POLITICS of SUSTAINABILITY<\/strong> \u2013Utrecht University (May 16, Utrecht)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Long Abstract: \u201cArt and Aesthetics as metamodelization: the collective experimental composition of inhabitable territories\u201d<\/code><\/pre>\n\n\n\n<p>_<strong>Arts Incognita. Poetics of Artificial Creativity: Symposium on Art and Artificial Intelligence.<\/strong><br>Organizers: Centro Andaluz de Arte Contempor\u00e1neo (Consejeria de Cultura) and School of Creative Media (Hong Kong) (March 15-17, Cordoba, Spain)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Long Abstract: \u201cIntelligent Machines Analysing\/Producing Culture\u201d<\/code><\/pre>\n\n\n\n<p>2016_<strong>Computer Art Congress 5 &#8211; Digital Art: Archiving and Questioning Immateriality.<\/strong> Organizers: Laboratoire Paragraphe\/CITU ( October 26<sup>th<\/sup>-28<sup>th<\/sup>, Paris, France)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper: \u201cArt and Data: the aesthetic emergence of knowledge\"<\/code><\/pre>\n\n\n\n<p>2015_<strong> ISEA 2015 &#8211; Disruption.<\/strong> Organizers: ISEA International (August 14<sup>th<\/sup>-19<sup>th<\/sup> \u2013 Vancouver, Canada)<\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper: \u201cDisruptive Strategies in The Postdigital City\u201d<\/code><\/pre>\n\n\n\n<p>2013_ <strong>Re-new 2013 \u2013 The big picture<\/strong>. Organizers: re-new digital arts forum, Aalborg University, CIID, The IT University and the Athelas New Music Festival in Copenhagen. (October 28 \u2013 November 3 \u2013 Copenhagen, Danmark) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code> Paper: <em>\u201cPostdigital Art: Building appropriable information apparatuses<\/em>\u201d <\/code><\/pre>\n\n\n\n<p><strong>_Behind the Image and Beyond &#8211; CR13 International Research Conference in the series of Consciousness Reframed: Art and Consciousness in the post-biological era<\/strong>. Organizers: Planetary Collegium, University of Plymouth, England and The German University in Cairo, Egypt (31st, March \u2013 2nd, April \u2013 Cairo, Egypt) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code>Paper:<em> \u201cComplexity, multi-perspectivism and tracking: A brief story about the meaning of image from the Postmedia to the Post-digital ages\u201d<\/em><\/code><\/pre>\n\n\n\n<p>2012_ Coordinator in Spain of the workshop<strong> \u201cHypermedia Art\u201d<\/strong> Organizers: UAB, UPF, Laboratorie Paragraphe Paris 8 . Held on the University Paris 8 (16th, March &#8211; Paris) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code> Paper:<em> \u201cNew practices in urban art: The art as an interface of the city\u201d <\/em><\/code><\/pre>\n\n\n\n<p>2011_ Director of the<strong> Catmeeting III: First Workshop with Laboratoire Paragraphe<\/strong> (Paris 8 and Cergy Pontoise Universities) \u201cArt num\u00e9rique : Mythe ou r\u00e9alit\u00e9\u201d \/ \u201cDigital art: myth or reality\u201d Organizers: Philosophy Department UAB, Laboratoire Paragraphe (Paris 8 and Cergy Pontoise Universities) and Arts Santa M\u00f2nica Held on Arts Santa M\u00f3nica (4th \u2013 5th, May \u2013 Barcelona) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code> Paper:<em> \u201cLocative Media. Georeferencing and the collective utterance\u201d<\/em><\/code><\/pre>\n\n\n\n<p>_Lecturer at the Seminars<strong> \u201c<\/strong><em><strong>Chercheurs medias\/ researchers of New Media<\/strong><\/em><strong>\u201d.<\/strong> Organizer: Kaldhoun Zreik, Universidad Paris8 Held on the CNAM (Conservatoire National d\u2019Arts et M\u00e9tiers) (4th, January &#8211; Paris) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code> Paper&nbsp;:<em> \u201cSur l\u2019espace public, presentation de WoS\/Occupations\u201d.<\/em><\/code><\/pre>\n\n\n\n<p>2009_ <strong>Congress H2PTM<\/strong>, Paris 8, Participation in the organization of the digital art workshop (30th, September \u2013 2nd, October \u2013 Paris)<\/p>\n\n\n\n<p>2008_ <strong>Lecturer at CAC.2, Second Computer Art Congress.<\/strong> Organizers: Laboratoire Paragraphe, Universit\u00e9 Paris 8 (Francia), Tecnol\u00f3gico de Monterrey Campus Toluca and Campus Estado de M\u00e9jico (Mexico), and Europia Productions (Francia) (March &#8211; Mexico) <\/p>\n\n\n\n<pre class=\"wp-block-code\"><code> Paper:<em> \u201cUnder Construction\u201d<\/em><\/code><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\">Projects and Exhibitions<\/h3>\n\n\n<p class=\"western\" align=\"JUSTIFY\"><a name=\"_GoBack1\"><\/a><b><\/b>2017_ &#8220;<strong>Postdigital Strategies for the Anthropocene&#8221;. <\/strong>(Participative data collection and interpretation. Collaborators: Natalie Jeremijenko, Pilar Rosado&#8230;)- Cultural Innovation International Prize: Climate Change. CCCB, Barcelona<\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2014_ <\/span><span lang=\"en-GB\"><b>\u201cLabyrinth City\u201d<\/b><\/span><span lang=\"en-GB\"> (video Installation 3D). Exhibition:<\/span><span lang=\"en-GB\"><b> Hong-Gah Museum<\/b><\/span><span lang=\"en-GB\">, Taipei<\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2013_ <\/span><span lang=\"en-GB\"><b>\u201cCultural consumption and territoriality\u201d<\/b><\/span><span lang=\"en-GB\"> (Data visualization),<\/span><span lang=\"en-GB\"><b> BBVA (Banco Bilbao Vizcaya) Datathon Innovachallenger (2013)<\/b><\/span><span lang=\"en-GB\">. On-line:<\/span><\/p>\n<p class=\"western\" lang=\"en-GB\" align=\"JUSTIFY\">http:\/\/www.enlaciutat.es\/consumocultura\/<\/p>\n<p class=\"western\" align=\"JUSTIFY\">\u201c<span lang=\"en-GB\"><b>Labyrinth City\u201d<\/b><\/span><span lang=\"en-GB\"> (video, animation 3D). Exhibition:<\/span><span lang=\"en-GB\"><b> Festival MUDAFEST<\/b><\/span><span lang=\"en-GB\"> Program VIDEOsPAIN (25th-26th May- Madeira, Portugal).<\/span><span lang=\"en-GB\"><b> Festival MashRome<\/b><\/span><span lang=\"en-GB\"> Program VIDEOsPAIN (8th-11th May \u2013Roma, Italy).<\/span><span lang=\"en-GB\"><b> Festival Coru\u00f1a May\u00fascula<\/b><\/span><span lang=\"en-GB\"> Selection MADATAC (23th March, Coru\u00f1a, Spain).<\/span><span lang=\"en-GB\"><b> J\u00e4\u00e4l Photo \u2013 Photography Fair<\/b><\/span><span lang=\"en-GB\">, (14th -16th, February &#8211; Madrid) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\">\u201c<span lang=\"en-GB\"><b>Urban Dwellings\u201d<\/b><\/span><span lang=\"en-GB\"> (Photo montage). Exhibition:<\/span><span lang=\"en-GB\"><b> Ciudad de Palma Awards \u2013 Antoni Gelabert of Visual Arts 2012, Casal Solleric,<\/b><\/span><span lang=\"en-GB\"> (January 20th \u2013 March 17th \u2013 Palma, Mallorca) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\"><b>REALIDAD||REFLEJO<\/b><\/span><span lang=\"en-GB\">\/ Reality\/reflection (video, animation 3D) Exhibition:<\/span><span lang=\"en-GB\"><b> Alart 2013<\/b><\/span><span lang=\"en-GB\">, Art Festival (9th August-15th September, Alaro, Mallorca) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2012_ <\/span><span lang=\"en-GB\"><b>\u201cLabyrinth City\u201d<\/b><\/span><span lang=\"en-GB\"> (video, animation 3D). Festival:<\/span><span lang=\"en-GB\"><b> MADATAC &#8211; 04<\/b><\/span><span lang=\"en-GB\"> (Contemporary Advanced New Media Audiovisual Art Festival) CIBERCIVITAS_CYBERCULTURE AND AUDIOVISUAL ART FOR THE END OF TIME International Official Section, Special Mention. (10th \u2013 16th, December &#8211; Madrid) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\"><b>REALIDAD||REFLEJO<\/b><\/span><span lang=\"en-GB\"> (video, animation 3D). Exhibition:<\/span><span lang=\"en-GB\"><b> Room Art Fair 2<\/b><\/span><span lang=\"en-GB\">, Art Gallery La Real, (23th \u2013 25th, November &#8211; Madrid) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2011_ <\/span><span lang=\"en-GB\"><b>\u201cUrban Dwellings\u201d<\/b><\/span><span lang=\"en-GB\"> (video). Exhibition:<\/span><span lang=\"en-GB\"><b> Room Art Fair<\/b><\/span><span lang=\"en-GB\"> (16th -18th, December &#8211; Madrid) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\">\u201c<span lang=\"en-GB\"><b>Inhabited City\u201d,<\/b><\/span><span lang=\"en-GB\"> Photo and web, on-line:<\/span> <a href=\"http:\/\/www.enlaciutat.es\/\">www.enlaciutat.es<\/a><span lang=\"en-GB\">. Supporter:<\/span><span lang=\"en-GB\"><i> Departament de Cultura i Mitjanas de Comunicaci\u00f3 de la Generalitat de Catalunya<\/i><\/span><span lang=\"en-GB\">. Exhibition:<\/span><span lang=\"en-GB\"><b> \u201cEntorns 4 visions de Terrritori\u201d: Inhabited Lleida.<\/b><\/span><span lang=\"en-GB\"> Serveis Territorials del Departament de Cultura a Lleida (February 9th \u2013March 4th \u2013 Lleida)<\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2010_ <\/span><span lang=\"en-GB\"><b>\u201cWoS\/Occupations\u201d,<\/b><\/span><span lang=\"en-GB\"> Geolocalized video, Net.art (Web2.0) project held on the<\/span><span lang=\"en-GB\"><b> Laboratorie Paragraphe\/CITU<\/b><\/span><span lang=\"en-GB\">, Universidad Paris8, On-line: www.enlaciutat.info Supporter:<\/span><span lang=\"en-GB\"><b> Ministerio de Cultura de Espa\u00f1a<\/b><\/span><span lang=\"en-GB\"> (September 2009 \u2013 February 2010 \u2013 Paris) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2009_ <\/span><span lang=\"en-GB\"><b> \u201cUrban Dwellings\u201d,<\/b><\/span><span lang=\"en-GB\"> (Photo montage + video). Solo exhibition:<\/span><span lang=\"en-GB\"><b> Art Gallery La Real<\/b><\/span><span lang=\"en-GB\"> (March 6th \u2013 May 1st \u2013 Palma de Mallorca) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><a name=\"_GoBack\"><\/a> \u201c<span lang=\"en-GB\"><b>Reconstruint Lleida<\/b><\/span><span lang=\"en-GB\">\u201d, (video digital). Exhibition: \u201c<\/span><span lang=\"en-GB\"><b>Paisatges Transversals\u201d<\/b><\/span> <span lang=\"en-GB\"><b>Caixa Forum Madrid and Caixa Forum Lleida<\/b><\/span><span lang=\"en-GB\">, (1st \u2013 31th January) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2008_ <\/span><span lang=\"en-GB\"><b>\u201cUnder Construction\u201d<\/b><\/span><span lang=\"en-GB\"> (Interactive film). Exhibition<\/span><span lang=\"en-GB\"><b> \u201cEmerging forms of Digital Art\u201d, Modern Art Museum of Toluca<\/b><\/span><span lang=\"en-GB\">, (March &#8211; April. Mexico) <\/span><\/p>\n<p class=\"western\" align=\"JUSTIFY\"><span lang=\"en-GB\">2007_ <\/span><span lang=\"en-GB\"><b>\u201cUnder Construction\u201d<\/b><\/span><span lang=\"en-GB\">. Exhibition: i-TUBE CXF, Loop\u201907, Caixa Forum Barcelona <\/span><\/p>\n\n\n<p><\/p>\n\n\n<p><!--EndFragment--><\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>https:\/\/orcid.org\/0000-0001-5243-9814 Sandra \u00c1lvaro is an Adjunct Professor at the Art Department of the Universitat Autonoma de Barcelona (UAB) Sandra \u00c1lvaro works at the intersection of art, philosophy, and technology. She develops a theory grounded in practice for the mapping of conceptual frameworks which improve our understanding of the current sociotechnical system and its relations with &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/enlaciutat.es\/wordpress\/?page_id=538\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-twocolumnsleft.php","meta":{"footnotes":""},"class_list":["post-538","page","type-page","status-publish","hentry","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=538"}],"version-history":[{"count":40,"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/538\/revisions"}],"predecessor-version":[{"id":1104,"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/538\/revisions\/1104"}],"wp:attachment":[{"href":"https:\/\/enlaciutat.es\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}