October 8-10, online and in Riga, Latvia will take place the RIXC Art and Science festival: ECODATA. The festival will feature exhibition in the physical space at The National Library of Latvia and the RIXC gallery, online conference as well as a hybrid program of online and onsite activities – artistic interventions, screenings, virtual bio/eco-artworks and performances by young artists.
Lecture: Art, Eco-aesthetics And Cosmopolitics
Isabelle Stengers (2015) described our time as catastrophic, the result of convergent crisis concerning the global economy, the environment, increasing violence and depletion of social cohesion. The Anthropocene and its consequences have become an urgent subject for scientists and policymakers, but also philosophers and artists. Current art projects intervene in our environment through speculative projects, approaching geoengineering and the proposal of new post-anthropocentric futures, as well as, by the production of new entanglements of humans and non-humans which could mobilise new affects and change our behaviour.
All these projects share the same aesthetics, a new technologically mediated vision, from where our environment appears as a complex network of systems. The Gaia 2.0 (Latour, 2018) resulting from a process of Technomorphisation (Maturana, 1997) which translates our environment to data and rends it predictable and operational.
This presentation examines a selection of environmental art projects with a twofold aim. First, explore the evolution of this aesthetics after the encounter with post-structuralism and critical epistemologies. Second, interrogate about the inclusion of these art projects inside a Cosmopolitics (Stengers, 2004), after considering art as a material form of experimentation with the capacity of worlding -making up an inhabitable world.